The Amplifier: When Janet Jackson was for lovers
Listening back to when Janet Jackson was for lovers6 songs, 33 min 5 sec
Dear listeners,As the senior staff editor for the Arts & Leisure section, I'm often lost in a big profile. The kind that makes you consider the arc of a career, its slopes, its peaks, and its inevitable chasms. And because so much of my life has been organized around music — I was 6 when I first bounced into the Brooklyn Conservatory of Music for voice and theory instruction — the contours of a pop life have always been particularly fascinating to me. There's a Janet Jackson video that I've been thinking about a lot, one that captures her at a moment of metamorphosis. It opens on a warmly lit loft, where Jackson's dancers, playing themselves, are playfully trying to coax her into handing over the cassette (it's 1993!) that houses the lead single from her new album. After a false start, it begins. "That's the Way Love Goes" sounds like sweaty bodies and basement parties, a song in the key of pleasure seeking. It was considered a sonic departure for an artist who, just shy of 27, had prized discipline, control. For the vérité-style video, directed by her partner at the time, René Elizondo Jr., Jackson re-emerged beaming: her skin coppertone, hair a cascade of crinkly waves (not a military cap in sight) — and emitting what I understand now as the aura of a woman who's given herself permission. In an interview that year with The Los Angeles Times, she described her approach to making the album, titled simply, "Janet.": "I finally just started writing down all my feelings about love," she said, "making love, falling in love, falling out of love, everything." And with that, she ushered in what I can only call the Pleasure Era. Here, my favorites — with a few flirtations from other moments in her catalog. It's always a summer of love, Rebecca
Listen along while you read.1. "That's the Way Love Goes"As she had for her two blockbuster albums, "Control" (1986) and "Rhythm Nation 1814" (1989), Jackson turned again to Jimmy Jam and Terry Lewis, the Minneapolis maestros, for her next offering. The track begins with a tease spoken over a shimmery, layered intro: "Like a moth to a flame burned by the fire / My love is blind, can't you see my desire?" Though executives at Jackson's new label, Virgin, were angling for "If," a kinetic dance track drowning in distortion, the artist and her producers knew this one had to go first. Its subtlety, Lewis has said in interviews, would be the surprise. The trio had it right: The eventual Grammy winner for best R&B song spent eight weeks at No. 1 beginning in April 1993, and proved that in the right hands, a couple of James Brown samples could still feel fresh.
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The Amplifier Playlist
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"Listening Back to When Janet Jackson Was for Lovers" track list
Track 1: "That's the Way Love Goes"
Track 2: "Any Time, Any Place"
Track 3: "The Body That Loves You"
Track 4: "Got 'Til It's Gone"
Track 5: "Love Will Never Do (Without You)"
Track 6: "Twenty Foreplay"
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Have feedback? Ideas for a playlist? We'd love to hear from you. Email us at theamplifier@nytimes.com.
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